VIEW Journal of European Television History and Culture 5 (2016), 10

Titel der Ausgabe 
VIEW Journal of European Television History and Culture 5 (2016), 10
Weiterer Titel 
Non-Fiction Transmedia

Erschienen
Hilversum, The Netherlands 2016: Netherlands Institute for Sound and Vision
Erscheint 
zweimal jährlich
Preis
Open access

 

Kontakt

Institution
VIEW Journal of European Television History and Culture
Land
Netherlands
c/o
VIEW Journal of European Television History and Culture Postbus 1060 1200BB Hilversum
Von
Verbruggen, Erwin

Interactive digital media have greatly affected the logics of production, exhibition and reception of non-fiction audiovisual works, leading to the emergence of a new area called “interactive and transmedia non-fiction”. One of its key points is that it can deal with factual material in such a way that it influences and transforms the real world around us. With this issue we aim to offer a scholarly perspective on the emergence of transmedia forms, their technological and aesthetic characteristics, the types of audience engagement they engender, the possibilities they create for engagement with archival content, the technological predecessors that they may or may not have emerged from, and the institutional and creative milieux in which they thrive.

Inhaltsverzeichnis

TABLE OF CONTENTS

EDITORIAL

Transgressing the Non-fiction Transmedia Narrative
Arnau Gifreu-Castells, Richard Misek, Erwin Verbruggen

DISCOVERIES

Story, History and Intercultural Memory: Can a Transmedia Approach Benefit an Archive-Based Documentary Project?
Marida Di Crosta, Anita Leandro

Interactive Graphic Journalism
Laura Schlichting

Aligning Participation with Authorship: Independent Transmedia Documentary Production in Norway
Joakim Karlsen

Crossroads. Life Changing Stories from the Second World War: A (Transmedia) Storytelling Approach to World War II Heritage
Licia Calvi, Moniek Hover

I’m Sorry I Don’t Have a Story: An Essay Involving Interactive Documentary, Bristol and Hypertext
Adrian Miles

EXPLORATIONS

Small Change – Big Difference: Tracking the Transmediality of Red Nose Day
Matthew Freeman

Emergent Principles for Digital Documentary
Richard Lachman

Korsakow Perspective(s): Rethinking Documentary Knowledge in Digital Multilinear Environments
Franziska Weidle

A Transmedia Topology of ‘Making a Murderer’
Alan Hook, Danielle Barrios-O’Neill, Jolene Mairs Dyer

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