Prof. Dr. Roland Borgards (Goethe-University Frankfurt)
Prof. Dr. Frederike Middelhoff (Goethe-University Frankfurt)
Prof. Dr. Barbara Thums (Johannes Gutenberg-University Mainz)
Wherever literary, pictorial, musical, or even horticultural depictions of the landscape are to be found in the Romantic period, there too, is the element of water: whether in sweeping and meandering streams or artfully arranged ponds and waterfalls within landscape gardens; mir-ror-smooth coastal and lake-surfaces reflecting the sun- or moonlight (either with summer brightness or in eerier shades); from wind-whipped sea tides and ocean waves; whispering brooks brimming with whimsical trout, or rivers like the Rhine, Main, Neckar, Thames, Seine, or Nile, welcome-beacons to all prospective barge- and ship-farers and invitations to imagine, paint, and compose poetry. Water-surfaces, water elements, and water spectacles are constitutive to a Romantic understanding of ‘landscape’.
Through these waterscapes of Romanticism – and more generally: those from the years around 1800 – a (proto-)ecological understanding of the interplay between inorganic and or-ganic entities in locally defined spaces comes into view and is first articulated. The connec-tion nonetheless remains to be investigated further. To be sure, the Environmental Humani-ties have recognized the literature, philosophy, and science around 1800 as originators of modern ecological theorems and environmental consciousness. Nonetheless, the role that can be attributed to water – to the biotopes and conditions of existence attached to it – is still un-clear. This is all the more astonishing as discussions and imaginations of the significance of water for life and the living in general, and specifically for the reciprocal, developmental, and transformative relationships between organisms and water (and hydrogen), was certainly en-couraged by both the natural sciences (physics, geology, and in philosophy/ies of nature) as well as in literature and the arts around 1800 more generally. In particular, the realization that life and living forms not only consolidate in water, but that medial approaches are simultane-ously necessary to make these interdependencies and interrelationships visible is decisive – Andersen’s fairy tale of water drops (Danish: Vanddraaben, 1847) beneath the magnifying glass brings this into view in a particularly impressive way.
Moreover, water landscapes help bring together the constantly interwoven levels of the semi-otic and the material, of sonic and the phonetic (linguistic), and of literal and metaphorical meaning: Within landscape poems, the splash, bubble, spring, flood, flow, rush, and surge are not only the acts of waterworks and water surfaces; rather, diverse actors, their distinct modes of being and movement, become entangled and affected by each other, as they converge, mingle, and disperse again. Animals, plants, air, soil, and light make up an ensemble, which is brought into contact and co-constituted by water. Its activity and vitality, much like any form of landscape, is made possible only through water. More pointedly: The time around 1800 launches epistemological and aesthetic formations which recognize that without water, land-scapes and living forms are unthinkable and unrepresentable.
The conference explores the ecological dimensions of the fluid in the period around 1800, taking the concept “water/landscapes” as its point of departure. The focus will consist of vari-ous ‘water sites’, ranging from rain-bearing cloud formations to water puddles and bogs to river courses and marine spaces. It will bring into play extremely heterogenous aesthetic pro-grams (e.g., the sublime or the locus amoenus), genres (idylls, river and seafaring ballads, garden poems, landscape prose and landscape painting discourse, nature essays, etc.) places (national and international, fantastic and realistic etc.), times, and traditions (Greek and Ger-manic mythology, Middle Ages). The basic thesis of the conference is that Romantic litera-tures and images stage, reflect, and negotiate the interplay of (living) elements and beings around/in water.
We are interested in contributions that inquire into historical knowledges about and aesthetic approaches to water, aquatic habitats, and habitats in the period around 1800, especially as relating to theories, figures of thought, and forms of representation of the ecological. Points of departure and catalysts for research can be found not only in the field of Romantic Ecocrit-icism but also in Hydro-Criticism and the Blue Humanities. European and International Ro-manticism is thereby an important, though not exclusive, reference point. Our interest is in the diversity of representations and theories surrounding water and its proto-ecological di-mensions around 1800 – all proposals that focus on water/scapes in text, as image, or as a jumping-off point for discussions between 1750 and 1850 are welcome.
Please send your abstract (max. 500 words) for a 25-minute talk and short biobibliographical notes in one single document to all three organisers (firstname.lastname@example.org; email@example.com; firstname.lastname@example.org) until 30 November 2021. A publication of selected talks is planned. The conference is scheduled as an in-presence event at the Re-search Center’s Villa Reimers in Bad Homburg. Travel and accommodation costs can – if needed – be reimbursed.
Frederike Middelhoff (W1-Professur für Neuere Deutsche Literatur mit dem Schwerpunkt Romantikforschung)
Institut für deutsche Literatur und ihre Didaktik
Campus Westend // IG-Farben-Haus // Postfach 17
60323 Frankfurt am Main
Selected Research Bibliography
Alaimo, Stacy. “Oceanic Origins, Plastic Activism, and New Materialism at Sea.” In Material Ecocriticism, ed. Serenella Iovino, Serpil Oppermann. Bloomington 2014, pp. 186–203.
Böhme, Hartmut (ed.). Kulturgeschichte des Wassers. Frankfurt am Main 1988.
Böhme, Hartmut. “Wolken, Wasser, Stein. Zur Ästhetik der Landschaft, in: semina rerum (1999), pp. 1–7.
Briški, Javor und Irna Marija Samide (eds.). The Meeting of Waters. Fluide Räume in Litera-tur und Kultur. Munich 2015.
Bunzel, Wolfgang (ed.). Romantik an Rhein und Main. Eine Topographie. Darmstadt 2014.
Costlow, Jan, Yrjö Haila, Arja Rosenholm (eds.). Water in Social Imagination: From Tech-nological Optimism to Contemporary Environmentalism. Ann Arbor 2017.
Cohen, Margaret and Killian Quigley (eds.). The Aesthetics of the Undersea. London, New York 2019.
Davies, Jeremy. “Romantic Ecocriticism: History and Prospects.” In Literature Compass (2018), pp. 1–15.
Deloughrey, Elisabeth. “Towards a Critical Ocean Studies for the Anthropocene.” In English Language Notes 57:1 (2019, pp. 22–36.
Detering, Heinrich. “Der Weiher als Ökosystem.” In: id.: Holzfrevel und Heilsverlust. Die ökologische Dichtung der Annette von Droste-Hülshoff. Göttingen 2021, pp. 46–60.
Goodbody, Axel and Berbeli Wanning (ed.). Wasser – Kultur – Ökologie. Beiträge zum Wan-del mit dem Wasser und zu seiner literarischen Imagination. Göttingen 2008.
Garde-Hansen, Joanne. Media and Water. Communication, Culture and Perception. London, New York. Oxford 2021.
Görner, Rüdiger. “‘Hörst du das Alphorn überm blauen See?’ Aquafine Zeichen in der Lyrik Anette von Droste-Hülshoffs.” In Jahrbuch des Franz-Michael-Felder Archivs 20 (2019), pp. 16–29.
Häusler, Wolfgang. “Zwischen Naturwissenschaft, Heiliger Schrift und Historie. Beobach-tungen zur Funktion des Wassers im Wer Adalbert Stifters.” In Jahrbuch des Adal-bert-Stifter-Instituts 16 (2009), pp. 101–114.
Honold, Alexander. “Zwischen Wasser und Poesie. Brentanos Stromkreislauf.” In Gabe, Tausch, Verwandlung. Übertragungsökonomien im Werk Clemens Brentanos, ed. Ul-rike Landfester. Würzburg 2009, pp. 127–141.
Jacobs, Mary. Romantic Things: A Tree, a Rock, a Cloud. Chicago 2012.
Jue, Melody. Wild Blue Media. Thinking through Seawater. Durham 2020.
Kramer, Anke. “Hydrographie der Zeit. Erlebte Zeit bei Annette von Droste-Hülshoff, Henri Bergson und Johannes Müller.” In ZwischenZeiten. Zur Poetik der Zeitlichkeit in der Literatur der Annette von Droste-Hülshoff und der ‚Biedermeier‘-Epoche, ed. Cornel-ia Blasberg and Jochen Grywatsch. Hannover 2013, pp. 189–209.
Kramer, Anke. “Elementargeister und die Grenzen des Menschlichen. Agierende Materie in Fouqués Undine.” In: Mensch – Maschine – Tier. Entwürfe posthumaner Interaktio-nen (= Beiheft PhiN 10/2016), ed. Christa Grewe-Volpp, Evi Zemanek, pp. 104–124. http://web.fu-berlin.de/phin/beiheft10/b10t08.pdf.
Kraß, Andreas. Meerjungfrauen. Geschichten einer unmöglichen Liebe. Frankfurt am Main 2010.
McKusick, James C. Green Writing: Romanticism and Ecology. Basingstoke 2000.
Pape, Walter (ed.). Romantische Metaphorik des Fließens. Körper, Seele, Poesie. Tübingen 2007.
Ritson, Katie. “The View from the Sea: The Power of a Blue Comparative Literature.” In Humanities 9/3/68 (2020) https://doi.org/10.3390/h9030068.
Ritson, Katie. The Shifting Sands of the North Sea Lowlands. Literary and Historical Imagi-naries. London 2018.
Robbins, Nicholas. “Ruskin, Whistler, and the Climate of Art in 1884.” In Ruskin’s Ecolo-gies. Figures of Relation from Modern Painters to the Storm-Cloud, ed. Kelly Free-man Thomas Hughes. London 2021, pp. 203–223.