Prof. Clemens Zimmermann, Kultur- und Mediengeschichte, Universität des Saarlandes, Saarbrücken
Monday, 5 March 2018
Introduction
14.00-15.00
1. Martin Baumeister (Roma) Welcome speech
2. Lutz Klinkhammer (Roma) Introduction I
3. Clemens Zimmermann (Saarbrücken) Introduction II
Session I Cinema Audiences and film (production) policies (all titles are working titles)
15.00-19.00
Claudia Dillmann (Barcelona), The Cinema Audiences in Germany
Marina Nicoli (Milano), The Cinema Audiences in Italy
Mariagrazia Fanchi (Milano), The popular and catholic cinema in Italy
Christian Kuchler (Aachen), The popular and catholic cinema in Germany
Tuesday 6 March 2018
Session II Traditions and influences of the Film genres
9.00-11.00
Luca Mazzei (Roma), Italian Genre Cinema
Sarah Kordecki (Babelsberg), German Genre Cinema
Session III National Self-assurances (Part 1)
11.30-13.30
Damiano Garofalo, Images of the Germans in Italy (Padua)
Philippe Cooke/Gianluca Fantoni (Glasgow), Images of Italians as „Brava Gente“ in Italy
Session IV Interpretations of the past (Fascism, Nazism, World War II)
14.30-16.30
14.30-15.30
Maurizio Zinni (Roma), Interpretations of the past in Italy
Ina Merkel (Marburg), Interpretations of the past in Germany
Wednesday, 7 march 2018
Session IV National Self-assurances (Part 2)
8.30-10.30
Daniel Jonah Wolpert (Cambridge), Persecuted and persecutors (Germany)
Bernhard Groß (Wien), National self-assurance in the German “rubble-film“
Session V Cinematic discourses and transnational perspectives
11.00-13.00
Lukas Schaefer (Hamburg), German and Italian Film critique: transnational dimensions
Kai Nowak (Leipzig), From the Hetzfilm to new orientations in cultural policy
13.00-13.30 Final comments
Comments by Martin Baumeister, Filippo Focardi, Robert Gordon, Tanja Michalsky, Andrea Minuz, Dario Pasquini