Sounds of Space

Sounds of Space

Veranstalter
"Die Zukunft in den Sternen: Europäischer Astrofuturismus und außerirdisches Leben im 20. Jahrhundert", Emmy Noether-Forschergruppe, Friedrich-Meinecke-Institut, Freie Universität Berlin
Veranstaltungsort
Freie Universität Berlin, Henry-Ford-Bau
Ort
Berlin
Land
Deutschland
Vom - Bis
30.11.2012 - 01.12.2012
Von
Geppert, Alexander C.T.

This workshop examines the fundamental role of technology, craft skills, and situated knowledge for realizing outer space and space exploration in sonic forms that resonate through physical, perceptual and imaginary worlds. How have sonic experiences been conceived, articulated and elided in cultural practice and discourse on outer space and space exploration in Western Europe and the United States? Focusing on the period extending from the late 1940s to 1980, Sounds of Space explores the ways in which sonic technologies, sound and music production, soundscapes, mass media, and listening practices have shaped and been shaped by knowledge and understanding of outer space.

Registration is required to attend the workshop. For further information please visit www.geschkult.fu-berlin.de/astrofuturism. To register please contact the convener William R. Macauley at william.macauley@fu-berlin.de.

Programm

– PROGRAM –

FRIDAY, 30 NOVEMBER 2012

09:00-09:10 Welcome
Alexander C.T. Geppert (Berlin)

09:10-09:30 Introduction
William R. Macauley (Berlin): Venturing into Sounds of Space during the Postwar Period

09:30-10:30 Keynote Presentation
James Wierzbicki (Sydney): The Imagined Sounds of Outer Space

11:00-12:30 Panel I: Sounds of Space in Art and Opera
Chair: Claudia Schmölders (Berlin)
Tatjana Böhme-Mehner (Leipzig): Outer Space and Space Travel in Pierre Schaeffer’s 'La Coquille à planètes'
Johan Stenström (Lund): The Significance of Electronic Music in the Space Opera 'Aniara'

13:30-15:00 Panel II: The Human Voice and Sounds of Space
Chair: Matthias Schwartz (Berlin)
Konstantin Kaminskij (Konstanz): The Voices of the Cosmos. Electronic Synthesis of Special Sound Effects in Soviet vs. American Science Fiction Movies from Sputnik 1 to Apollo 8
Tim Boon (London): Music for Spaces. Music for Space

15:30-17:00 Panel III: Synthesizing Sounds of Space
Chair: Peter Moormann (Berlin)
Trevor Pinch (Ithaca, NY): Inner Space and Outer Space. How the Early Electronic Music Synthesizer Took Us There
Axel Volmar (Siegen): Cosmic Symphonies. Electronic Music Culture, Analog Synthesizers, and the Birth of Superstring Theory in the 1970s

17:30-18:00 Performance
Eliad Wagner (Berlin): Crossing Streams. Instant Composition Using the Sound Vocabulary of Science Fiction

SATURDAY, 1 DECEMBER 2012

09:00-10:30 Panel IV: Sounds of Space in Popular Music
Chair: Bodo Mrozek (Berlin)
Michael Mooradian Lupro (Portland, OR): 'Just my Job, Five Days a Week.' Soundscapes of Space Labor in Apollo Era Pop Music
Cathleen Lewis (Washington, DC): Okudzhava and Scott-Heron. The Social Critique Soundtrack of the Space Race

11:00-12:30 Panel V: Sonification of Outer Space
Chair: Daniel Brandau (Berlin)
Alexandra Supper (Maastricht): Eerie Whistling and Tribal Cosmic Heartbeats. The Silencing of Craft Skills in the Sonification of Astrophysics
Pawel Frelik (Lublin): Dark Transmissions. Cosmic Visions in Contemporary Music

13:30-15:00 Panel VI: Intelligent Sounds from Outer Space
Chair: Alexander C.T. Geppert (Berlin)
Anna Klara Capova (Durham): Listening to the Sounds of Silence
Stefan Helmreich (Cambridge, MA): Listening Through Alien Ears to the Voyager Interstellar Record

15:30-16:30 Closing Session
Chair: William R. Macauley (Berlin)

Kontakt

William R. Macauley
Emmy Noether-Forschergruppe "Die Zukunft in dern Sternen: Europäischer Astrofuturismus und außerirdisches Leben im 20. Jahrhundert"
Freie Universität Berlin
Friedrich-Meinecke-Institut
Koserstraße 20
D-14195 Berlin

william.macauley@fu-berlin.de

http://www.geschkult.fu-berlin.de/e/astrofuturismus/veranstaltungen/WS_Sounds/index.html
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