Editorial: Belarus in the Focus of Academic Research: A Conceptual Reset
Robert Zalesky (pseudonym) and Almira Ousmanova (European Humanities University)

Analogue Dictatorship against Digital Multitude
Almira Ousmanova (European Humanities University)

Features and Effects of the Digital Technologies in the Belarusian Protest
Volha Davydzik and Antanina Stebur (independent scholars)

Strategy of Language Resistance in Telegram during the Belarusian Civic Movement
(Summer 2020–Winter 2021)
Anton Saifullayeu (University of Warsaw)

Telegram in Belarusian Protests of 2020: Affective Tool for Populist’s Uprisings
Gleb Koran (Gothenburg University)

Ugly Repressions, Protest’s Beauty and Emotional Community on Belarusian Political Instagram
Andrei Vazyanau (European Humanities University)

The Confluence of Television and Money Flows in Belarusian Authoritarianism
Andrei Gornykh (European Humanitarian University)

‘C’mon, Turn Swan Lake on’: Memories of the 1990s at the Belarusian Protests of 2020
Ksenia Robbe (University of Groningen) and Andrei Zavadski (TU Dortmund University)

Beyond the ‘Telegram Revolution’: Understanding the Role of Social Media in Belarus Protests
Volha Kananovich (Appalachian State University)

The Unintended Female Revolution?
Hanna Stähle (independent scholar)

The Protest Art of Antanina Slabodchykava
Sasha Razor (University of California, Santa Barbara)

A Religious Factor in Belarus’ Protest: Mediation of the Political Crisis by the Church
Regina Elsner (Münster University)

Battleground ‘Lukamol’: The Belarusian Republican Youth Union between a Rock and a Hard Place
Kristiina Silvan (Finnish Institute of International Affairs)

‘Dissenting Belarus’ through the eyes of Belarusian documentary filmmakers
Diana El (pseudonym, independent cultural journalist)