Orient-Institut Studies 2 (2013)

Titel
Orient-Institut Studies 2 (2013).
Zeitschriftentitel
Weitere Titelangaben
Inverted Worlds: Cultural Motion in the Arab Region


Hrsg. v.
diese Ausgabe: Syrinx von Hees, Nadia von Maltzahn, Ines Weinrich / Reihe: Stiftung Deutsche Geisteswissenschaftliche Institute im Ausland (DGIA)
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Bonn 2013: perspectivia.net
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Stiftung Deutsche Geisteswissenschaftliche Institute im Ausland (DGIA)
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Dr. Michael Kaiser perspectivia.net Stiftung DGIA Rheinallee 6 53173 Bonn

The Orient-Institut Beirut and Orient-Institut Istanbul publish this series meant to combine regional and trans-regional perspectives in Middle Eastern and Euro-Asian Studies. All contributions are published online only.

Orient-Institut Studies 2 (2013) – Inverted Worlds: Cultural Motion in the Arab Region. Hg. Syrinx von Hees, Nadia von Maltzahn, Ines Weinrich

Contents

Syrinx von Hees, Nadia von Maltzahn and Ines Weinrich: Introduction
<http://www.perspectivia.net/content/publikationen/orient-institut-studies/2-2013/hees-maltzahn-weinrich_introduction>

Yves Gonzalez-Quijano: Rap, an Art of Revolution or a Revolution in Art?
<http://www.perspectivia.net/content/publikationen/orient-institut-studies/2-2013/gonzalez-quijano_rap>

Ines Dallaji: Tunisian Rap Music and the Arab Spring: Revolutionary Anthems and Post-Revolutionary Tendencies
<http://www.perspectivia.net/content/publikationen/orient-institut-studies/2-2013/dallaji_rap>

Stephan Procházka: The Voice of Freedom: Remarks on the Language of Songs from the Egyptian Revolution 2011
<http://www.perspectivia.net/content/publikationen/orient-institut-studies/2-2013/prochazka_freedom>

Simon Dubois: Street Songs from the Syrian Protests
<http://www.perspectivia.net/content/publikationen/orient-institut-studies/2-2013/dubois_songs>

Nader Srage: The Protest Discourse: The Example of “Irhal” (Go/Get Out/Leave)
<http://www.perspectivia.net/content/publikationen/orient-institut-studies/2-2013/srage_protest>

Sara Binay: “Where are they going?” – Jokes as Indicators of Social and Political Change
<http://www.perspectivia.net/content/publikationen/orient-institut-studies/2-2013/binay_jokes>

Mona Abaza: Satire, Laughter and Mourning in Cairo’s Graffiti
<http://www.perspectivia.net/content/publikationen/orient-institut-studies/2-2013/abaza_satire>

Marwan Kraidy: A Heterotopology of Graffiti: A Preliminary Exploration
<http://www.perspectivia.net/content/publikationen/orient-institut-studies/2-2013/kraidy_graffiti>

Matthias Kispert: The Sound of Discontent
<http://www.perspectivia.net/content/publikationen/orient-institut-studies/2-2013/kispert_discontent>

Hassan Choubassi: The Arab Masses: From the Implosion of Fantasies to the Explosion of the Political
<http://www.perspectivia.net/content/publikationen/orient-institut-studies/2-2013/choubassi_masses>

Monika Halkort: Counting versus Narration – On the Database as Political Form
<http://www.perspectivia.net/content/publikationen/orient-institut-studies/2-2013/halkort_counting>

Lotte Laub: Circularity versus Linearity: Immediate Artistic Reactions to Periods of War and Political Upheaval
<http://www.perspectivia.net/content/publikationen/orient-institut-studies/2-2013/fasshauer_circularity>

Sahar Mandour: قصة الأمس / Yesterday’s Story
<http://www.perspectivia.net/content/publikationen/orient-institut-studies/2-2013/mandour_story_ar>
<http://www.perspectivia.net/content/publikationen/orient-institut-studies/2-2013/mandour_story_en>

Zitation
Orient-Institut Studies 2 (2013). in: H-Soz-Kult, 27.08.2013, <www.hsozkult.de/journal/id/zeitschriftenausgaben-7778>.
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27.08.2013
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