VIEW Journal of European Television History and Culture 4 (2015), 8

Titel
VIEW Journal of European Television History and Culture 4 (2015), 8.
Weitere Titelangaben
Archive-Based Productions


Hrsg. v.
*Editors-in-chief* John Ellis, Royal Holloway College / University of London; Andreas Fickers, Université du Luxembourg; Sonja de Leeuw, Utrecht University *Managing editor* Dana Mustata, University of Groningen *Language Editor* Andy O'Dwyer, BBC Research *Editorial board* Christoph Classen, Zentrum für Zeithistorische Forschung, Germany; Anikό Imre, University of Southern California, USA; Juan Francisco Gutiérrez Lozano, Universidad de Malaga, Spain; Mette Charis Buchman, Danish Broadcasting Corporation, Denmark; Mari Pajala, University of Turku, Finland; Jérôme Bourdon, University of Tel Aviv, Israel; Cathy Johnson, Nottingham University, United Kingdom; András Bálint Kovács, ELTE University, Hungary; Claude Mussou, Institut National de l’Audiovisuel, France; Andy O'Dwyer, BBC Research, United Kingdom; Massimo Scaglioni, Catholic University of Milan, Italy; Pelle Snickars, Umeå University, Sweden; Liam Wylie, RTÉ Archives, Ireland *Publishing Support* Erwin Verbruggen, Netherlands Institute for Sound and Vision, The Netherlands
Heft(e)
8
Erschienen
Hilversum, The Netherlands 2015: Netherlands Institute for Sound and Vision
Preis
Open Access
Herausgeber d. Zeitschrift
*Editors-in-chief* John Ellis, Royal Holloway College / University of London; Andreas Fickers, Université du Luxembourg; Sonja de Leeuw, Utrecht University *Managing editor* Dana Mustata, University of Groningen *Language Editor* Andy O'Dwyer, BBC Research *Editorial board* Christoph Classen, Centre for Contemporary History, Germany; Anikό Imre, University of Southern California, USA; Juan Francisco Gutiérrez Lozano, Universidad de Malaga, Spain; Mette Charis Buchman, Danish Broadcasting Corporation, Denmark; Mari Pajala, University of Turku, Finland; Jérôme Bourdon, University of Tel Aviv, Israel; Cathy Johnson, Nottingham University, United Kingdom; András Bálint Kovács, ELTE University, Hungary; Claude Mussou, Institut National de l’Audiovisuel, France; Andy O'Dwyer, BBC Research, United Kingdom; Massimo Scaglioni, Catholic University of Milan, Italy; Pelle Snickars, Umeå University, Sweden; Liam Wylie, RTÉ Archives, Ireland *Publishing Support* Erwin Verbruggen, Netherlands Institute for Sound and Vision, The Netherlands
Erscheinungsweise
zweimal jährlich
Kontakt
VIEW Journal of European Television History and Culture Postbus 1060 1200BB Hilversum

VIEW Issue 8: Archive-Based Productions

In 1927, when Esfir Schub released her commissioned film The fall of the Romanov Dynasty to commemorate the 10th anniversary of the October Revolution, she hardly knew that her extensive use of film footage and newsreels of the event would mark the invention of a new ‘genre’: the archive-based production or compilation genre. Television has adopted this genre, but audiovisual archives have fuelled a wide array of programmes and genres beyond compilation productions.

Government, business, broadcast and film archives as well as amateur collections and home videos are commonly used to spark memories and re-enact events from the past in various contexts. They are made widely accessible and re-used in traditional broadcast productions or given a second life in digital environments through online circulation.

In this issue of VIEW, scholars, archivists, and other media practitioners consider, highlight and elaborate on the use and re-use of moving image archives in various productions.

TABLE OF CONTENTS

Editorial

Editorial
Claude Mussou, Mette Charis Buchman

Discoveries

'Plundering' the Archive and the Recurring Joys of Television
Lisa Kerrigan

Compiling European Immigration History: the Case of Land of Promise
Andrea Meuzelaar

'Goodwill Ambassador': the Legacy of Dutch Colonial Films
Gerda Jansen Hendriks

Histoire Parallèle/Die Woche vor 50 Jahren (La SEPT/ARTE 1989–2001): Newsreels as an 'Agent and Source of History'
Jean Christophe Meyer

Eyewitnesses of History: Italian Amateur Cinema as Cultural Heritage and Source for Audiovisual and Media Production
Paolo Simoni

Archive Footage in New Programmes: Presentational Issues and Perspectives
Steve George Bryant

Explorations

Authorship, Autobiography and the Archive: Marilyn on Marilyn, Television and Documentary Theory
Paul Kerr

The Television Archive on BBC Four: from Preservation to Production
Vana Goblot

Visions of Reconstruction: Layers of Moving Images
Floris Jan Willem Paalman

Scratch's Third Body: Video Talks Back to Television
Leo Goldsmith

Zitation
VIEW Journal of European Television History and Culture 4 (2015), 8. in: H-Soz-Kult, 18.02.2016, <www.hsozkult.de/journal/id/zeitschriftenausgaben-9459>.
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Veröffentlicht am
18.02.2016