Liebe Leserinnen und Leser,

um die Zahl der täglich versandten Beiträge etwas zu reduzieren, fassen wir ausgewählte Ankündigungen einmal wöchentlich als 'Digest' zusammen. Die vollständigen Ankündigungstexte finden Sie im Anschluss und auf der H-Soz-Kult-Website unter: http://www.hsozkult.de/event/page?fq=clio%5FcontentTypeRelated%5Fm%5FText%3A%22cfa%22

Ihre H-Soz - Kult Redaktion

1)
Universität Duisburg-Essen / Deutsches Historisches Institut Warschau / Imre Kertész Kolleg Jena
Subject: CfA: Reenactment Case Studies: Global Perspectives on Experiential History - - 2/2018
<http://hsozkult.geschichte.hu-berlin.de/termine/id=35929>

2)
SOG 18 - Gesellschaft zur Erforschung des 18. Jahrhunderts im südöstlichen Europa (Karl-Franzens-Universität Graz)
Subject: CfA: ONLINE-EDITION. Voices from an era of transition. South Eastern Europe in the 18th Century - Graz 12/2017
<http://hsozkult.geschichte.hu-berlin.de/termine/id=35945>

1)
From: Juliane Tomann <juliane.tomann@uni-jena.de>
Date: 12.12.2017
Subject: CfA: Reenactment Case Studies: Global Perspectives on Experiential History - - 2/2018
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Universität Duisburg-Essen / Deutsches Historisches Institut Warschau / Imre Kertész Kolleg Jena, -
15.02.2018-, Universität Duisburg-Essen / Deutsches Historisches Institut Warschau / Imre Kertész Kolleg Jena

There is growing consensus that historical reenactment embraces a wide range of forms – including live action role play, living history, historical reality TV and film, gaming, performance art, theater, historically-informed music performance, experimental archeology, pilgrimage, and battle reenactment. Reenactment practices and forms share a concern with authenticity, embodiment, affect, the performative and subjective. It might be argued that reenactment exemplifies a transnational form of popular historical knowledge making, representation and commemoration. Yet, in terms of its historical subject matter, practices, styles, and subcultures, reenactment is often nationally inflected. Many countries demonstrate long traditions of battle restagings, pilgrimages and living histories practices that seek to advance discrete local, regional and state-bound interests.

With a view to producing the most comprehensive and globally comparative account of historical reenactment to date, we invite contributions that focus on contemporary case studies of reenactment from around the world. Contributions should address the tension between national reenactment practices and transnational experiential historical knowledge making and commemoration by addressing one of the following themes:

(1) “National” reenactment:
Is it possible to identify characteristic national practices and styles? Is reenactment imbricated with national historiography and the national imaginary per se?
(2) Exterritorial reenactment:
What role do reenactments play that are divorced from the histories of the places in which they are practiced? How can we theorise creative or religious reenactments that are spatially and temporally unbound?
(3) Reenactment’s contribution to the global rise of populism:
What can be said about the utility of reenactment for emerging populism? How do different forms of reenactment play upon affective and conjectural modes to advance discrete sets of interests across national boundaries? And to what effect?

The editors invite contributions in English from disciplines ranging from history, anthropology, sociology, religious studies and performance studies to film and media, heritage, memory and cultural studies. All contributions should be based on original research and be as yet unpublished.

Submissions should be 6,000-8,000 words and include no more than two images. The volume will be peer reviewed.

Deadlines:
Submission of abstracts (max. 400 words) and short biography – 15 February 2018
First draft of the chapter – 15 June 2018
Submission of the final draft – 15 September 2018
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Dr. Vanessa Agnew (vanessa.agnew@uni-due.de)
Dr. Sabine Stach (stach@dhi.waw.pl)
Dr. Juliane Tomann (juliane.tomann@uni-jena.de)
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URL zur Zitation dieses Beitrages
<http://hsozkult.geschichte.hu-berlin.de/termine/id=35929>
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2)
From: Sabine Jesner <sabine.jesner@hotmail.com>
Date: 14.12.2017
Subject: CfA: ONLINE-EDITION. Voices from an era of transition. South Eastern Europe in the 18th Century - Graz 12/2017
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SOG 18 - Gesellschaft zur Erforschung des 18. Jahrhunderts im südöstlichen Europa
(Karl-Franzens-Universität Graz), Graz
14.12.2017-, SOG 18 - Gesellschaft zur Erforschung des 18. Jahrhunderts im südöstlichen Europa
(Karl-Franzens-Universität Graz)

ONLINE-EDITION
Voices from an era of transition. South Eastern Europe in the 18th Century

This online-edition of SOG18 consists of representative “voices” which reflect the various perspectives to the main events and processes in South Eastern Europe during the »long« 18th century (late 17th to early 19th century). These processes include the various phenomena of enlightenment, of several kinds of migrations, changes of the political systems etc.

The reason of this program is to give some publicity the male and female contemporaries. The collection of texts or (painted, printed) pictures will give the opportunity to all people who are interested to understand better this era of transition as the prelude of the great »change of the world«.

SUBJECT FIELDS:
I.) Confessional coexistence and conflicts (New forms of tolerance and intolerance, problems of secularization, change of confession)

II.) Enlightenment discourses (Westernization, education need, “new” media, empiric research, secular ideas)

III.) Economic expansion and local response (Commercial and technic phenomena, new markets, local industry)

IV.) Migration phenomena (New Minorities, new kinds of settlement and ethnic coexistence, confessional autonomy)

V.) War and Society (Militarization, the Turkish wars, life along the front and border line)

VI.) Geopolitics (International relations, Cartography, the Balkans and the Eastern Question)

VII.) Every Day Life News (New buildings, new styles, new experiences, allaturca and allaeuropea)

INSTRUCTIONS FOR THE AUTHORS:
a.) Every article must belong to one of the subject fields; otherwise it will be refused by the board
The article must include the name of the author

b.) The article consists of the following parts:
Introduction which points out the connection to the subject field (English)
The source text (or selected parts of it in original language!) or a picture as „voice“
A commentary to the text or picture (English)
A short selected bibliography

c.) The article should have a volume between min. 5 and max. 10 pages (all inclusive)

d.) The article will be written only in Times New Roman letters (12pt) and 1,5-line spacing.

e.) The article (preferred in “Word”) has to be sent at not any other address than: sog18@uni-graz.at.

Each article will be proofed by the board. After finishing the redaction the article will be published (corresponding to the sog18-Newsletters) as an official publication at a special platform of University of Graz (open access).
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sog18@uni-graz.at

Homepage https://suedosteuropa-18-jahrhundert.uni-graz.at/de/
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URL zur Zitation dieses Beitrages
<http://hsozkult.geschichte.hu-berlin.de/termine/id=35945>
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