Managing Mass Culture: Serialization, Standardization, and Modernity: 1880-1940

Managing Mass Culture: Serialization, Standardization, and Modernity: 1880-1940

Veranstalter
Ilka Brasch, Ruth Mayer, Christina Meyer
Veranstaltungsort
Leibniz Universität Hannover, Königsworther Platz 1, 30167
Ort
Hannover
Land
Deutschland
Vom - Bis
23.04.2015 - 25.04.2015
Von
Ilka Brasch

The international conference “Managing Mass Culture” is organized by members of the American Studies Division at the Leibniz University of Hannover. Confirmed speakers are Amy Borden, Michael Chaney, Jared Gardner, Sabine Haenni, Scott Higgins, Frank Kelleter, Rob King, and Kathleen Loock.

The conference, which is hosted by members and associates of the research unit "Popular Seriality: Aesthetics and Practice," investigates the ways in which mass-medial phenomena engage with modes and formats, concepts and ideologies of seriality, focusing on how these engagements manifest in film (in particular film serials and remakes), comics, and other popular products in the serial form. It explores the intersections between cultural and industrial structures of serialization, and the function that discourses of social engineering, psycho-technics, policing, and surveillance gain in the emergence and unfolding of a serialized mass culture of entertainment.

The conference starts from the observation that modernity’s mass culture is inextricably entwined in structures of capitalist production and distribution, and that this enmeshment is both expressed and reflected in the serial narratives of the period. The apparatuses of mass-cultural entertainment prepare people for the requirements of modernity in all of its complexity and they open gateways for individual and collective positionings within modernity. Modernity’s serial narratives chart modernity in its complexity and contingency. To this purpose, serial knowledge, which is always both complicated and vague, generates a sense of familiarity and orientation by means of signals, cross-references, allusions, and associations rather than taking recourse to clear-cut doctrine or systematic delineation. Thus serial practices can be understood as expressions and negotiations of a larger cultural and social framework of standardization, surveillance, and management.

For more information, please see http://www.engsem.uni-hannover.de/massculture2015.html

The conference is open to the public; to register please contact Ilka Brasch,
ilka.brasch@engsem.uni-hannover.de

Programm

Thursday, April 23, 2015

17:00 INTRODUCTION: Ruth Mayer, Ilka Brasch, Christina Meyer
17:15 KEYNOTE:
Rob King (New York): “Becoming Joe Doakes: Averageness, Populism and Seriality in Robert Benchley’s ‘How to’ Short Subjects”

19:15 Reception and Dinner

Friday, April 24, 2015

09:00 SESSION 1: COMICS
Chair: Jens Bonk (Osnabrück)
Christina Meyer (Hannover): “Managing the Modern Girl? The Romance Serials in the Newspapers, 1918-1937”
Michael Chaney (Hanover, NH): “What Can Krazy Kat Tell Us About Seriality and Comics Poetics?”

11:00 Coffee Break
11:30 SESSION 2: MASS CULTURE I
Chair: Svenja Fehlhaber (Osnabrück)
Jared Gardner (Columbus, OH): “Serial Investments, Serial Returns: The Narrative and Corporate Economies of American Popular Serialities, 1900-1940”

12:30
Lunch Break
14:30 SESSION 2: MASS CULTURE (continued)
Frank Kelleter (Berlin): “Managing the Crisis: Depression Radio and FDR’s Fireside Chats”

15:30 Coffee Break

16:00 SESSION 3: REMAKING
Chair: Felix Brinker (Berlin)
Amy Borden (Portland): “Tasty Links: Film Cycles and the Intermedial Contexts of the Sausage Machine”
Kathleen Loock (Berlin): “‘Match Them If You Can’: The Cultural Work of ‘Talker Remakes’”

18:30 Dinner

Saturday, April 25, 2015

09:00 SESSION 4: FILM SERIALS I
Chair: Bettina Soller (Hannover)
Sabine Haenni (Ithaka, NY): “Gender in the Jungle”
Ilka Brasch (Hannover): “Flashes of Light(n)ing: The Power God (1925) and the Aesthetic of Electricity”

11:00 Coffee Break
11:30 SESSION 5: FILM SERIALS II
Chair: Florian Groß (Hannover)
Ruth Mayer (Hannover): “Contingent Management: Officer 444 and the Anarchy of Systematic Action”
Scott Higgins (Middletown, CT): “Operational Psychologies: Sound Serial Characters and Ludic Portability”

13:30 Farewell

Kontakt

Ilka Brasch

Leibniz Universität Hannover, Englisches Seminar
Königsworther Platz 1, 30167 Hannover
0511 762 5428

ilka.brasch@engsem.uni-hannover.de

http://www.engsem.uni-hannover.de/massculture2015.html
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