Captured Sounds – Collecting, Storing, Sharing

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Captured Sounds – Collecting, Storing, Sharing

Veranstalter
Stiftung Humboldt Forum im Berliner Schloss
Veranstaltungsort
Haus Ungarn
Ort
Berlin
Land
Deutschland
Vom - Bis
16.05.2018 - 17.05.2018
Deadline
13.05.2018
Website
https://humboldtforum.com/captured-sounds
Von
Humboldt Forum

How do international ethnomusicologists react to new challenges when dealing with immaterial cultural assets in museum collections? How can sounds be presented to the public in an effective manner? How can these sounds be accessed using digital technologies? In its largest international conference to date the Humboldt Forum will focus for two days on issues relating to ethnomusicology collections, including questions about their history, ethics, globalization, archiving and educating the public.

TWO SOUND ARCHIVES
The Phonogramm-Archiv of Berlin’s Ethnologisches Museum (part of the Staatliche Museen zu Berlin, SMB) and the Humboldt-Universität’s Lautarchiv will join forces in the Humboldt Forum in late 2019; it is these two archives which provide the starting point for "Captured Sounds – Collecting, Storing, Sharing". In a total of five panels, twenty-three international experts working in museums, the sciences and music will develop new, interdisciplinary perspectives aimed at addressing the most pressing questions which are now being asked about the future of ethnomusicology. The symposium's programme was curated by Ilka Krempel-Eichmann.

ACCOMPANYING PROGRAMME
The symposium, held in English with German translation, is part of the Humboldt Forum's programme "[sound] Listening to the World". In addition to the symposium, the Humboldt Forum will host an opening concert, the next segment in the "Insights" series talks as well as a Live Listening Session.

ENTRANCE & REGISTRATION
Please register by 13 May 2018 if you wish to attend both days of the symposium: http://www.events.humboldtforum.com/

[DE]
Wie reagiert die internationale Musikethnologie auf neue Herausforderungen im Umgang mit immateriellem Kulturgut in musealen Sammlungen? Wie lassen sich Klänge publikumswirksam präsentieren? Welche Zugänge eröffnen sich durch die digitalen Technologien? Das Humboldt Forum widmet sich in seiner bisher größten internationalen Konferenz in zwei Tagen Fragen zu Geschichte, Ethik, Globalisierung, Archivierung und Vermittlung von musikethnologischen Sammlungen.

LAUT- UND PHONOGRAMM-ARCHIV
Das Phonogramm-Archiv des Ethnologischen Museums der Staatlichen Museen zu Berlin (SMB) und das Lautarchiv der Humboldt-Universität zu Berlin, die Ende 2019 im Humboldt Forum zusammen kommen, sind die Ausgangspunkte von "Captured Sounds – Collecting, Storing, Sharing". In insgesamt fünf Panels entwickeln 23 internationale Expertinnen und Experten aus den Bereichen Museum, Wissenschaft und Musik neue und disziplinübergreifende Perspektiven auf dringende und gegenwärtige Fragen zur Zukunft der Musikethnologie. Das Programm des Symposium wurde kuratiert von Ilka Krempel-Eichmann.

RAHMENPROGRAMM
Das Symposium in englischer Sprache mit deutscher Übersetzung findet im Rahmen des Programms "[laut] Die Welt hören" statt. Rund um das Symposium gibt es zudem ein Auftaktkonzert, die Fortsetzung der Gesprächsreihe "Einblicke" sowie eine Live Listening Session.

EINTRITT & ANMELDUNG
Eintritt frei. Wir bitten um verbindliche Anmeldung bis zum 13. Mai unter http://www.events.humboldtforum.com/

Programm

DAY 1 – MAY 16, 2018, 10AM–6.30PM

10:00–10:15
Welcome Address

10:15–12:30
PANEL 1: SITUATIN SCIENCE – SITUATING LISTENING (History of Ethnomusicology)
Chair: James Davies

Anna Maria Busse Berger, University of California
In search of medieval music in Africa: Marius Schneider and the Catholic missionaries

Thomas Christensen, University of Chicago
The Limits of Philology: Brittany and the Barzaz Breis

Henry Spiller, University of California
Between two worlds: Jaap Kunst, R.M.A. Kusumadinata, and theories of the genesis of Sundanese scales and modes

Robert Stephen Blum, City University of New York
E.M. von Hornbostel as Listener and Scientist

12:30–13:30
Lunch break

13:30–15:45
PANEL 2: "THE SUDDEN REALIZATION THAT ONE HAS GONE BACK IN TIME": Robert Lachmann's Recording Journeys through Berlin, Cairo, and Jerusalem
Chair: Ricarda Kopal, Ethnologisches Museum – Staatliche Museen zu Berlin

Gila Flam, National Library of Israel
Robert Lachmann in Jerusalem: Between Arabic and Jewish Arabic Music

Philip V. Bohlman, University of Chicago
“Understanding of Oriental Music Lies in the Earliest Stages of Its Development”: Robert Lachmann’s Lieux d’histoire and the Historical Record

Mili Leitner, University of Chicago
Racialization on the Radio: Lachmann’s Oriental Music Broadcasts in Comparative Perspective

A.J.Racy, UCLA Herb Alpert School of Music
The Joint Legacy of Maḥmūd al-Ḥifnī and Robert Lachmann

15:45–16:15
Coffee break

16:15–18:30
PANEL 3: MUSIC IN GLOBALIZATION AND LOCALIZATION
Chair: Lars-Christian Koch, Ethnologisches Museum – Staatliche Museen zu Berlin

Harry Liebersohn, University of Illinois
Voyage Round the World: Musical Reflections on a Travelers’ Genre

Martin Rempe, Universität Konstanz
Preservering Sounds in the Era of Decolonization: The UNESCO Collection of Traditional Music of the World

Giovanni Giuriati, Sapienza Università die Roma
Local dynamics and global processes: the case of the tarantella of Montemarano (Southern Italy)

Daniel Morat, Freie Universität Berlin
Selling Sounds. Carl Lindström and the Emerging World Music Market, 1904–1929

DAY 2 – MAY 17, 2018, 10AM–5.30PM

10:00–12:45
PANEL 4: SOUND ARCHIVE, COMMERCIAL BACKLIST, AND CULTURES OF LISTENING. Interfaces of academic and commercial music recording practices
Chair: Sebastian Klotz, Humboldt-Universität zu Berlin

Stefanie Alisch, Bayreuth/Humboldt-Universität zu Berlin
Broken Beat in London – transitioning between sonic media, transforming markets

Tobias Robert Klein, Berlin/Humboldt-Universität zu Berlin
Recording Music: On the Intersection of Tapes and Transcriptions

Saida Daukeyeva, Humboldt-Universität zu Berlin
Don’t Nomads Throat-Sing? Academic Research, Commercial Recordings and the Rise of a World Music Scene in Kazakhstan

Michael Denning, Yale University
‚A Noisy Heaven and a Syncopated Earth': The Transcolonial Reverberations of Vernacular Phonograph Music

12:15–13:30
Lunch break

13:30–15:45
PANEL 5: MUSIC INFORMATION RETRIEVAL (MIR) AND THE ETHICS OF DIGITAL PHONOGRAPHIC ARCHIVES
Chair: Julia Kursell, Universiteit van Amsterdam

Julia Kursell, Universiteit van Amsterdam
Digital Access to Wax Cylinder Recordings after a Century of Silence – the Experimental Recordings in the Berliner Phonogramm-Archiv

Reinier de Valk, zuletzt DANS/KNAW
MIRchiving: Challenges and opportunities of connecting MIR research and digital music archives

Joséphine Simonnot, Centre de Recherche en Ethnomusicologie
Music Information Retrieval and “Musée de l’Homme” Sound Archives: How an ethnomusicological audio database offers the opportunity to develop computational analysis tools

Barbara Titus, Universiteit van Amsterdam
Retrieving What for Whom? Thoughts about Prospects, Opportunities and Impediments of Digital Sound Archiving

15:45–16:15
Coffee break

16:15–17:30
Final discussion

Kontakt

Katharina Kepplinger

Rosenstr. 2, 10178 Berlin

k.kepplinger@humboldtforum.com

https://humboldtforum.com/captured-sounds
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