Wednesday, 11 December 2019
Biblioteca Vallicelliana, Salone Borromini
3.00 pm: Paola Paesano (Director of the Biblioteca Vallicelliana): Welcome
3.15 pm: Klaus Pietschmann - Tobias C. Weißmann (Mainz): Introduction
I. Bases: Music, Liturgy, Architecture
Chair: Klaus Pietschmann - Tobias C. Weißmann (Mainz)
3.30 pm: Sabine Ehrmann-Herfort (Rome): Cantoria – coretto – palco? Zur Terminologie kirchenmusikalischer Aufführungsorte in der Frühen Neuzeit
4.15 pm: Jörg Bölling (Hildesheim): ‚ex qua omnes exemplum sumere debent’. Zur vor- und nachtridentinischen Rezeption von Liturgie, Musik und Architektur der ’cappella papalis’
5.00 pm: Joseph Clarke (Toronto): Clamours in Print: Theorizing Echo in Early Modern Church Architecture
5.45 pm: Aperitivo
S. Maria in Vallicella
Lecture-Concert
8.30 pm: Florian Bassani (Bern) - Christian Rohrbach (Mainz):
La musica policorale a Roma nella prima età moderna
9.00 pm: Concert by Barock Vokal – College for Ancient Music, University of Music Mainz:
Musica vespertina a doppio coro del primo Seicento romano: Francesco Severi, Domenico e Virgilio Mazzocchi
Thursday, 12 December 2019
German Historical Institute in Rome
9.00 am: Alexander Koller (Vicedirector of the German Historical Institute in Rome): Welcome
II. Rome: Centre of Innovation
Chair: Richard Erkens (Rome)
9.15 am: Noel O’ Regan (Edinburgh): Architecture, Acoustics and performance practice in Roman confraternity oratories in the early modern period
10.00 am: Martin Raspe (Rome): Wo sang Palestrina auf der Baustelle von Neu-Sankt Peter?
10.45 am: Coffee break
11.15 am: Tobias C. Weißmann (Mainz): Präsentieren vs. Verstecken. Architektonische Inszenierung musikalischer Performanz und die Verbotspolitik der Päpste
12.00 am: Florian Bassani (Bern): Das ‚Ende der Mehrchörigkeit’ – Eine musikalische Stilwende und ihre baulichen Folgen
12.45 am: Lunch break
III. Audio-visual Performance in Theory and Practice
Chair: Teresa Gialdroni (Rome)
2.30 pm: Roberta Vidic (Hamburg): (Re)compositional strategies and sonic architecture in Palestrina’s, Anerio’s and Soriano’s Missa Papae Marcelli
3.15 pm: Emanuel Signer (Cambridge): ‚to be performed together or apart'. Sacred space and instructive paratext in sacred music books printed in Italy c. 1580–1640
4.00 pm: Coffee break
4.30 pm: Federico Bellini (Camerino): The design of the music-space in Roman Baroque churches and oratories
Keynote Lecture
6.00 pm: Deborah Howard (Cambridge): Voices from Heaven: Singing from on High in Venetian Churches in the Cinquecento
Friday, 13 December 2019
German Historical Institute in Rome
IV. Polychorality and Architectural Staging as a European Phenomenon
Chair: Vitale Zanchettin (Venice/Rome)
9.00 am: Massimo Bisson (Venice): Architettura e spazi per la musica nelle chiese veneziane: tradizioni, resistenze e innovazioni nella prima età moderna
9:45 am: Elisabeth Natour (Regensburg): ‚Celebrating 'Apollo's solemnities?' Der Streit um die Sängerkanzel in Durham im Kontext der Neugestaltung des anglikanischen Kirchenraums, ca. 1620–1640
10.30 am: Coffee break
11.00 am: Simon Paulus (Stuttgart): ‚damit nicht nur der Laut deutlich unter die Zuhörenden falle’. Musik, Raum und Klang im protestantischen Kirchenbau ab 1600
11.45 am: Anne Holzmüller (Freiburg i. Br.): ‚Töne aus einer unsichtbaren Region'. Über einige protestantische Nachbildungen römischer Klangarchitektur im 18. Jahrhundert
12.30 am: Lunch break
Bibliotheca Apostolica Vaticana, Sala Barberini
3.00 pm: José Tolentino Cardinal Calaça de Mendonça (Archivist and Librarian of the Holy Roman Church): Welcome
V. Collegium Cantorum and Singer Pulpit of the Sistine Chapel
Chair: Alexander Koller (Rome)
3.15 pm: Presentation of the cataloging project „Chorbücher der Cappella Sistina“, Central Office of Répertoire International des Sources Musicales (RISM)
3.30 pm: Arnold Nesselrath (Berlin/Rome): Die Sängerkanzel der Sixtinischen Kapelle in der Typologie der Musikeremporen
4.15 pm: Klaus Pietschmann (Mainz): Das identitätsstiftende Potential der cantorie. Graffitti in Sängerkanzeln der Frühen Neuzeit
Bibliotheca Apostolica Vaticana, Salone Sistino
5.00 pm: Final discussion and presentation of the exhibited music manuscripts
Saturday, 14 December 2019
Apostolic Palace
9.00 am: For active conference participants only
The conference is generously supported by:
Fritz Thyssen Foundation
German Historical Institute in Rome
The lecture-concert is generously supported by:
German Research Foundation (DFG)
Gutenberg Workshops, Johannes Gutenberg University Mainz (Excellence Initiative of Federal and Regional Governments)