Thursday, January 16, 2020
Welcome & Introduction
“Ceci n’ est pas un pied piper.”
This short ‘lecture-platformance’ takes a closer look at Richard Dawkins, who coined the term meme, and his attempt to explain the way his trouble child got “hijacked by the internet”. It maps out some of the underlying contradictions to explore what the idea of “meme” may still have to tell us about sharing ideas, evolution, and the nature/culture divide in a post-trolling approach to platform design.
Timothee Ingen-Housz, cartoonist, designer and gonzotheorist, teaches media dramaturgy at the University of the Arts Berlin. Amongst various attempts to go viral, he designed a “non-linear pictorial language” in the early nineties, taking meme-design seriously enough to self-experiment with the notion of “language as a virus”.
3.15 pm Coffee break
Doing Memes – Towards a Media Aesthetics of Digital Indeterminacy
Due to their viral nature, memes are not only reproduced, but subject to a continuous process of transformation. In light of this aesthetic morphogenesis, the internet appears not merely as a virtual stage, but as an actor. From this perspective, memes are more than content – they are aesthetic expressions of technical and human co-performances which relate to, and are constructive for, each other.
Florian Schlittgen is a researcher at the Department of Media and Cultural Studies at Heinrich-Heine-Universität Düsseldorf. His research focuses on digital image cultures, media ecologies and the potentials of digital and material trash.
Andy King in conversation with Kathrin Peters
Choosing Fantasy: Taking the 2D Pill
From online dating profiles to fictional characters and dating sim games – images are becoming a proxy for human relationships. Can the need for physical intimacy be bypassed using technology without long-term consequences, especially within a society plagued by inequality? Forever Alone Together: tulpamancy, incels and volcels in an age of radicalised loneliness.
Andy King is a media artist and researcher whose satirical and political works focus on internet subcultures, loneliness and human relationships in the digital age. She explores the blurring of borders between truth and fiction, copy and original, private and public spaces. Her recent photography series You Are All I See is an altarpiece to the imaginary. It grew out of years spent following online communities of voluntary celibate men, and was exhibited in Fotomuseum (Winterthur), Photoforum Pasquart and netzforma* “Wenn KI, dann feministisch”.
Kathrin Peters is professor of Visual Culture Studies at the University of Arts Berlin and co-director of the Research Training School “Knowledge in the Arts”. Her main teaching and research topics are gender and media, history of design and theory of photography. Recently, she co-edited the volumes Wessen Wissen. Materialität und Situiertheit in den Künsten (2018) and “Psychische Apparate”, Zeitschrift für Medienwissenschaft, No 17, 2017.
Friday, January 17, 2020
Memes & Connective Cynicism
This presentation will discuss the concept of “connective cynicism” in relation to the role of memes in the phatic communication prevalent on social media. In the second part, it will provide examples from meme culture in Japan and show the applicability of this concept to memes related to Japanese politics.
Fabian Schäfer holds the chair in Japanese Studies at the University of Erlangen-Nürnberg. His research interests include the digital transformation of the public sphere, computational social sciences, media history, and modern Japanese (media) philosophy. He recently published articles on political bots in Japanese elections and hate speech against female politicians in Japan.
Simone Pfeifer, Larissa-Diana Fuhrmann
Re-enacting Violence: Memetic Appropriations of IS Execution Videos
This presentation deals with memetic re-enactments of IS decapitation videos and reveals the similarities between strategies from groups as different as Muslim artists, activists and the right-wing ‘Identitarian Movement’ in Austria. It brings together mimetic theory with meme culture and argues that these similar strategies are memetic forms of cultural resistance that are used to defy the iconic and operative status of IS’s imagery, for example through humour.
Simone Pfeifer is a postdoctoral researcher at the Department of Anthropology and African Studies and the research project “Jihadism on the Internet” at the Johannes Gutenberg University Mainz. In her research she focuses on social and visual media practices, kinship, migration, mobility and transnationality and Islam on social media. She recently published a book on social media in transnational everyday life which deals with media practices of Senegalese in Berlin and Dakar.
Larissa-Diana Fuhrmann is a PhD candidate in Anthropology and part of the research project “Jihadism on the Internet” at the Department of Anthropology and African Studies, Johannes Gutenberg University Mainz. Her thesis focusses on artistic adaptations and appropriations of religious and political aspects of Jihadist propaganda.
11.30 am Coffee Break
Are Memes Digital Folklore?
“This question usually comes up after my talks on web vernacular, because obviously there are parallels between, let’s say, the way early GIFs were and todays MACROS are distributed and go viral. Still I would argue that memes are rather modern pop culture, strong and dominant, and therefore obscure the means of expression that we could see as the Digital Folklore of the 2020s.” Olia Lialiana
Olia Lialiana is a net artist, web vernacular researcher, GIF model, and Professor for New Media at Merz Akademie, Stuttgart. With Dragan Espenschied, she is the co-editor of the book Digital Folklore (2009, sold out – digital folklore.org).
1-2.30 pm Lunch Break
Lauren M. Jackson
Bad Feeling Online
Going online is awful. What was once discovery and splendor is now exhaustion and paranoia, so suffuse that “going online,” is an antique—one is never not online. This talk is about the bad feeling of the hellsites we nonetheless cannot get enough of, the gendered, racial, sexual, environmental, and national components of this feeling and what it reveals about the contemporary.
Lauren Michele Jackson teaches in the Department of English at Northwestern University. Her research focuses on black affect and aesthetics. She is the author of White Negroes, recently published by Beacon Press, and is currently working on a manuscript on vertigo in black literature and art of the late-twentieth and early twenty-first centuries.
3.30 pm Coffee Break
Meme Invasions: From Troll Wars to Influencer Dramas:
Is trolling by nature reactionary, or can it be considered a neutral weapon – and therefore potentially progressive? And who is using this weapon today, and how? In their presentation, Clusterduck will investigate the history of the so called “troll wars”, interpreting them as a media strategy linked to the mechanisms of the attention economy. They will also explore the concept of memes as performative or “magical” objects, pointing out the crucial role of context for their interpretation.
Clusterduck is an interdisciplinary collective working at the crossroads of research, design and transmedia, focusing on the processes and actors behind the creation of Internet-related content. Among their latest projects is the online exhibition #MEMEPROPAGANDA, hosted by Greencube Gallery, which was presented in many cities around Europe.
Geert Lovink (Amsterdam)
Rituals of Playful Imagery: Strategies of Meme Production
Analysing meme culture is one thing, but how about its future? Can internet cultures be designed and steered or can we only discuss their consequences? What’s to be done, now that politics is defined by micro-slogans, micro-images and micro-targetting? What happens when the traditional guardians of public opinion are no longer in charge and the PR that makes a real difference has shifted to invisible levels and counter-cultural sites? Is it enough to argue for a new culture of ‘progressive irony’? What role can ‘organized networks’ play in the design of a seductive hegemony of critical images? And how can European media theory catch up and become an avant-garde again?
Geert Lovink is a Dutch media theorist, internet critic and author of Networks Without a Cause (2012), Social Media Abyss (2016), Organisation after Social Media (with Ned Rossiter, 2018) and Sad by Design (2019). In 2004 he founded the Institute of Network Cultures at the Amsterdam University of Applied Sciences (www.networkcultures.org), which organizes conferences, publications and research networks such as Video Vortex (online video), Unlike Us (alternatives in social media), Critical Point of View (Wikipedia), Society of the Query (the culture of search), MoneyLab (internet-based revenue models in the arts).
6 pm Drinks & Finger Food