Wednesday, 22 February 2017
3:00 pm Opening
3:30 pm Mapping the Field
Chair: Christian Glanz
Tatjana Marković: Lost in Europe: Music history beyond borders
Fritz Trümpi: Creating a music life in Central Europe in the long nineteenth century
4:10 pm Discussion
4:30 pm Celebrating Empire I
Chair: Cornelia Szabó-Knotik
Amy Onstot: ‘Semiramide riconosciutta’ and the construction of female queenship at the court of Maria Theresa
Răzvan Roşu: Music as expression of the Habsburg myth in Transylvania
Katalin Kim-Szacsvai: Prayers for the king, the nation, and for the country: Ferenc Erkel’s Hymns
5:30 pm Discussion
6 pm Break
6:20 pm Celebrating Empire II
Chair: Katalin Kim-Szacsvai
Lili Békéssy: The visit of King Franz Joseph and Queen Elisabeth to Pest-Buda. Celebrating the Habsburgs in the Hungarian National Theatre (1837–1873)
Christian Glanz: Two composed looks on Habsburg by an Austrian Bandmaster: References of contexts and legacy
7:00 Discussion
Thursday, 23 February 2017
10 am Institutions
Chair: Andreas Holzer
Cornelia Szabó-Knotik & Anita Mayer-Hirzberger:
Dreaming of Vienna: The Conservatory of the Gesellschaft der Musikfreunde and its successors as singer’s/musicians’ utopia
Nada Bezić:
Hrvatski glazbeni zavod (Croatian Music Institute) after 1918: Intimne muzičke večeri (Intimate musical evenings) and Jutarnji koncerti (Morning concerts)
10:40 am Discussion
11 am Media
Chair: Anita Mayer-Hirzberger
Maria Cáceres-Pinuel:
Overlapping management trends of performing arts: The Viennese Music and Theatre International Exhibition 1892
11:20 am Discussion
11:30 am Coffee Break
12:00 pm Migration and Identity I
Chair: Primavera Driessen Gruber
Maja Vasiljević & Haris Dajč:
Jewish identity construction in nineteenth-century Serbia: The case of musician Josif Schlesinger
David Fligg: Gideon Klein: Musical rupture and Jewish migration
12:40 pm Discussion
1 pm Lunch Break
3 pm Migration and Identity II
Chair: Martin Eybl
Kateryna Eliseeva: Music migration in the eighteenth century: Through the pages of a musical collection of Razumovskiјs
Matej Santi: Franjo (Franz) Kresnik (Kreßnik) and the “Italian violin making school”
3:40 pm Discussion
4 pm Coffee Break
4:30 pm Nation Building
Chair: Tatjana Marković
Rudolf Gusztin: Choral movement in nineteenth-century Hungary: A mean of expressing national identity through music
Otilia Constantiniu: The choir, the nation’s voice in unison. Choral movement of Romanians from imperial Transylvania and Banat in the national building
Veronika Varga: Attempts for the introduction of the ballet, as an independent genre, during the beginning of the permanent Hungarian theatrical industry in Pest-Buda (1833–1848)
5:30 pm Discussion
Friday, 24 February 2017
9:30 am Historiography
Chair: Fritz Trümpi
Theodor Constantiniu: Common concerns, different perspectives: Folk music research in Transylvania and Bukovina in the pre-World War I period
Zsuzsanna Ràkai: Hungarian music historiography and Bence Szabolcsi
Milos Zapletal: Metahistory of creation of the modern Czech music
10:30 am Coffee Break
11:00 am
Lubomir Spurný: Music and cultural transfer: Research Centre for the study of Slavic music
11:20 am Discussion
12:00 pm Round table: State of research and further perspectives
Fritz Trümpi & Tatjana Marković with guests
END