Histories of Media Art, Science and Technology

Histories of Media Art, Science and Technology

Veranstalter
Danube University Krems / Department for Image Science
Veranstaltungsort
Ort
Krems
Land
Austria
Vom - Bis
26.03.2017 -
Deadline
26.03.2017
Von
Department für Bildwissenschaften/Department for Image Science

Krems / Wien, November 23 - November 25, 2017
Deadline: Mar 26, 2017
Re:Trace call for papers – http://www.mediaarthistory.org/retrace

The 7th International Conference on the Histories of Media Art, Science and Technology titled RE:TRACE focuses on an evaluation of the status of the meta-discipline MediaArtHistories today.

More than a decade after the first conference founded the field now
recognized worldwide as a significant historical inquiry at the intersection of art, science, and technology, Media Art Histories is
now firmly established as a dynamic area of study guided by changing
media and research priorities, drawing a growing community of scholars, artists and artist-researchers.

Immersed in both contemporary and historiographical aspects of the
digital world, we explore the most immediate socio-cultural questions
of our time: from body futures, information society, and media (r)evolutions, to environmental interference, financial virtualization,
and surveillance. And we do so through a fractal lens of inter- and
trans-disciplinarity, bridging art history, media studies, neuroscience, psychology, sociology, and beyond. MediaArtHistories is a field whose theory, methods, and objects of study interweave with and overlay other disciplines.

The organizing committee invites researchers of different areas,
disciplines and practices to submit individual papers, posters and full
panels with new and original research preferably in the following themes:

- MediaArtHistories – historiographies and futures of an ever-emerging
field
- Institutional histories of Media Art
- Media Art & Politics (surveillance, climate, visualizations, etc.)
- Collecting media art / Media Art market
- Archiving, preserving and representing Media Art
- Re-Use of cultural heritage data, including education, learning and
research
- Methodologies and research tools for MediaArtHistories with a focus
on Digital Humanities
- International and local histories and practices of media art
- (Post-)Colonial experiences and non-Western histories of media art,
science and technology
- Paradigm shift – Digital vs. Post-Digital Theory
- Alternative histories for Media Art in relation to newly evolving or
unexpected fields.
- Models and perspectives of research fields adapted across traditional
disciplinary lines.
- New symbolic architecture of digital super companies (Apple, Amazon,
Microsoft, FB, Google)

The conference program will include competitively selected,
peer-reviewed individual papers, panel presentations and posters, as
well as a small number of invited speakers. Presentations will be
delivered in a range of formats, from panel discussions to a poster
session. We particularly encourage submissions by researchers from
international contexts outside of Europe and North America.

Keynote lectures by internationally renowned, outstanding leaders in
the field, will deliberate on the central themes of the conference
series, its histories and futures.

Submission Deadline: March 26, 2017
Notification of acceptance will be announced by April 30, 2017.

Individual proposals for papers should consist of a max. 250-word
abstract with title. Proposals for full panels should consist of a max.
500-word abstract outlining the panel and individual topics of
confirmed speakers. Submission language is English. Submitters should
upload a short bio file (Word), no longer than ½ page per person. The
short bios will be used on the conference website together with your
abstracts.

Initiated by the Media Art Histories Board (Steering Committee):
Prof. Dr. Sean CUBITT (Deputy Head of Department & PhD Tutor / Media and Communications / Goldsmiths University of London / UK); Univ.-Prof. Dr. habil. Dr.h.c. Oliver GRAU, MAE (Head of Dept & Chair Professor in Image Science / Danube University / AT); Dr. Linda Dalrymple HENDERSON (David Bruton, Jr. Centennial Professor in Art History / History / University of Texas at Austin / US); Dr. Andreas BROECKMANN (Leuphana Arts Program, Leuphana University of Lüneburg, GER); Prof. Dr. Erkki HUHTAMO (Departments of Design Media Arts, and Film, Television, and Digital Media / University of California Los Angeles / US); Prof. Dr. Douglas KAHN (Professor of Media and Innovation / National Institute of Experimental Arts (NIEA) / University of New South Wales, Sydney / AU); Prof. Dr. Machiko KUSAHARA (School of Letters, Arts and Sciences / Waseda University / Tokyo, Japan); Prof. Dr. Tim LENOIR (Kimberly J. Jenkins Chair for New Technologies in Society / Duke University / US); Prof. Dr. Gunalan NADARAJAN (Dean / Stamps School of Art & Design / University of Michigan / US); Prof. Dr. Paul THOMAS (Director / Fine Arts at College of Fine Art / University of New South Wales /AU)

MAH Honorary Board: Martin KEMP, Jasia REICHARDT, Itsuo SAKANE, Peter WEIBEL, Douglas DAVIS †, Rudolf ARNHEIM †

Venues: Danube University / Located 70km from Vienna in the UNESCO
World Heritage Wachau region, Danube University is the only public
university in Europe specializing in advanced continuing education by
offering low-residency degree programs for working professionals and
life-long learners. Located at both a modern university campus and in
the Göttweig Monastery, the Dept. for Image Science is an internationally unique institution for research and innovative teaching
with an international faculty, at this point 120 scholars from various
nations and disciplines. The innovative approach of the Department for
Image Science with the close connection to practice has developed the Archive of Digital Art and founded in 2006 the low-residency
MediaArtHistories-Advanced, MA answering the need for international,
post-graduate studies.
Vienna / The vibrant capital of the Republic of Austria in Central
Europe meeting international travel standards with safe and exciting
surroundings that embrace culture both old and new. Planning for Vienna is being organized with partner institutions and colleagues. Fast and frequent public transportation between Vienna and Krems allows for a blending of two locations into one venue, distributing separate days in each venue.

Supported by Academia Europaea

Links:
MediaArtHistories-Advanced, MA – www.mediacultures.net/mah
Archive of Digital Art – www.digitalartarchive.at

Programm

Kontakt

http://www.mediaarthistory.org/retrace
Redaktion
Veröffentlicht am
Beiträger
Klassifikation
Weitere Informationen
Land Veranstaltung
Sprach(en) der Veranstaltung
Englisch
Sprache der Ankündigung