Berichte zur Wissenschaftsgeschichte – History of Science and Humanities 3/2020 (S. 307–456)

Editorial

Rethinking Performative Methods in the History of Science (S. 313–322)
https://onlinelibrary.wiley.com/doi/10.1002/bewi.202000017
Marieke M. A. Hendriksen

Beiträge (Special Issue “Rethinking Performative Methods in the History of Science”)

Schooling the Eye and Hand: Performative Methods of Research and Pedagogy in the Making and Knowing Project (S. 323–340)
https://onlinelibrary.wiley.com/doi/10.1002/bewi.202000004
Tillmann Taape, Pamela H. Smith, Tianna Helena Uchacz

Out of the Ivy and into the Arctic: Imitation Coral Reconstruction in Cross‐Cultural Contexts (S. 341–366)
https://onlinelibrary.wiley.com/doi/10.1002/bewi.202000010
Donna Bilak

Fashion fades, Chanel No. 5 remains: Epistemology between Style and Technology (S. 367–384)
https://onlinelibrary.wiley.com/doi/10.1002/bewi.202000006
Ann‐Sophie Barwich, Matthew Rodriguez

Boerhaave's Furnace. Exploring Early Modern Chemistry through Working Models (S. 385–411)
https://onlinelibrary.wiley.com/doi/10.1002/bewi.202000005
Marieke M. A. Hendriksen, Ruben E. Verwaal

Historical Continuity or Different Sensory Worlds? What we Can Learn about the Sensory Characteristics of Early Modern Pharmaceuticals by Taking Them to a Trained Sensory Panel (S. 412–429)
https://onlinelibrary.wiley.com/doi/10.1002/bewi.202000009
Nils‐Otto Ahnfelt, Hjalmar Fors, Karin Wendin

Einzelbeitrag

Nervosität und theatrale Hygieneaufklärung im Sowjetrussland der 1920–30er Jahre (S. 430–456)
https://onlinelibrary.wiley.com/doi/10.1002/bewi.202000008
Igor J. Polianski, Oxana Kosenko